Within the recent New York Times editorial “The Death of Adulthood in American Culture”, the reader is engaged with a series of logical flaws that take away from the underlying argument that the piece could otherwise have. Essentially, the author is attempting to direct the reader’s attention to the fact that the current generation is nothing more than an entire generation of overgrown “children”. In affecting this particular argument, the author first exhibits a television show, “mad men”. and attempts to hold it has an example of the way in which adulthood used to be represented within an older era.
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